Artist Statement
My work is grounded in abstraction, exploring expressive, forms through an intuitive engagement with color, texture, and materiality. Using a consistent process, I build richly layered surfaces that emphasize tactility and depth, inviting viewers to experience the physical presence of each piece as much as its visual impact. This material approach unifies my work, allowing movement, surface, and spatial relationships to unfold organically.
Stylistically, my paintings are defined by dynamic shapes and fluid lines that generate a sense of rhythm and continuous motion. Swirling forms and overlapping structures create visual energy, establishing a cohesive and recognizable language across the body of work. This continuity allows each piece to stand alone while remaining part of a broader conversation.
Color plays a vital role in shaping mood and balance. Cool blues, teals, and whites often provide a tranquil foundation, punctuated by warmer tones—reds, pinks, and yellows—that introduce contrast and vitality. The interplay between restraint and saturation shifts from work to work, creating variation within a unified palette.
Biography
Liz Morton is an abstract painter whose life and work have been shaped by a deep, lifelong immersion in creativity. Raised in the American South within a family that valued handmade craft and visual expression, she was introduced to art at an early age through her grandmother, who studied illustration and guided Morton’s first lessons. Annual trips to New York City exposed her to museums, galleries, and theater, cementing her devotion to the arts.
Morton received formal training at Appalachian State University, Barton College, the University of North Carolina at Greensboro, and Ghost Ranch in New Mexico, where she explored intuitive painting. Her practice spans numerous media, including printmaking, sculpture, photography, and digital tools, each contributing to the layered language of her work. She supported her education through a career in the computer field, which also enabled extensive international travel and artistic exchange.
After two decades in the Washington, DC art scene, Morton returned to the North Carolina coast, where she maintains an active studio practice, leads a monthly artist critique group, and balances caregiving responsibilities. Her paintings are known for vibrant surfaces, rhythmic movement, and organic abstraction, often evoking water, growth, and atmosphere. Represented by Carolina Artist Gallery, Morton has exhibited widely, earned numerous awards, and remains an engaged member of regional and national arts organizations.
https://linktr.ee/liz.art4urbrain
